Cuban cultural organizations toured the country and Soviet radio, television, theatrical productions, newspapers, and magazines had a great deal to communicate to Soviet citizens about Cuba and its people. Thus a novel showing colorful Cuban types and, more importantly, the corruption in Spanish political life and society which had led to the betrayal of vital interests of Cuba in the period just prior to the Spanish-American War was certainly au courant. However, first a few necessary words concerning Z.
Plavskin's introduction to the Torquemada series. However, more interesting in this respect is the twelve-page introduction by N. Snetkova to the translation of El amigo Manso. This is as sophisticated, wide-ranging, and up-to-date an introduction as one is likely to find anywhere for a translated edition of a Galdosian novel. Only an occasional turn of phrase or specific interpretation of an historical event leads one to perceive that the commentator is Marxistoriented. Moreover, in , it is now no longer necessary to establish for the reader the leftist credentials of Don Benito.
One has the feeling that Snetkova's main aim is to provide the kind of information which will make the reading of El amigo Manso a more meaningful and pleasurable experience. This same idea seems to be reflected in the attractive, multicolored art work on the cover and on the introductory pages which presents fashionably dressed ladies and gentlemen of nineteenth-century Spanish high society.
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She does provide the necessary background of historical events but does so with a light, nonpolitical touch in contrast with most previous Soviet commentators. Unlike some Soviet commentators of the s, who were so busy with ideological and historical considerations that they never got around to discussing the novel itself, Snetkova outlines the plot of El amigo Manso and speaks at length about the principal characters.
His main place in literary history, Snetkova concludes, is that of a precursor to the Generation of ' Blasco's Sangre y arena came out in Latvian in , and then his La barraca appeared in Ukranian in This is probably explained by the fact that the novels and Episodios being translated no longer parallel important political and military events concerning which the Soviet government wishes to comment.
Moreover, the more up-to-date novels of Juan Goytisolo, criticizing social conditions in Franco's post-Civil War Spain, captured the attention of translators, government publishing houses, and reviewers. Sus personajes ya no aseguraban ser parientes de los famosos, como A.
De regreso a Chicago y gracias a Herb Turner encontraba trabajo en otras ciudades de Illinois como Rockford. James E. La forma de trabajo de Kirchstein era muy diferente a la de los productores de Chicago a los cuales las prisas les condicionaban las grabaciones. De todas las grabaciones con Cuca, ninguna fue tan productiva como la primera. Fueron ocho cortes, cinco instrumentales y tres con voz, en dos de ellos Hooker y en el otro A. Odom entrando inmediatamente a formar parte de la banda de Muddy Waters.
Ni se molestaba en recordar los nombres.
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King quien estaba ya un poco aburrido de todos los famosos guitarristas de rock que le asediaban para que los sacara al escenario y que, todo sea dicho, le reverenciaban. Anna Lee, this is my last time to cry, Anna Lee. Anna Lee, this is my last good bye, Anna Lee. Well, now you say you gonna be mine, just hang around and see.
You will now get all the credit that you were always due. But I know everybody must pay their debt. El cementerio donde fue enterrado se halla situado en Worth, un suburbio al sudoeste de Chicago.
In his last visit to Barcelona, I had the pleasure to talk with Louisiana Red and going over some episodes of his so intense life, so intense. Now he looks back, he feels relaxed. He has paid all his debts. He is enjoying an active professional time. He have talked about everything. Muddy Waters, his life in Europe, his Muslim period and his friendship with soul singers. As a Korea veteran, we have event talked about the different wars his country has been involved in recent years. His advice and wish is clear: "Bring the boys back home".
Alex Maria Franquet. Why you did you choose Hannover to live? He and Mickey Baker. And he said why you don't you come to Hannover and I'll make you some gumbo soup. I had just come on a tour with Mr Rolf Schubert. That was in , and that's when I met Eric Burdon.
Champion Jack Dupree said: come to Hanover and I'll fix you some gumbo, which is Louisiana food, cajun food. I asked my road manager how close we were to Hannover and he said ' miles from here'. I said 'What? Jimmy Vivino gave it to me as a gift. The real Elmore James guitar… his own Homesick James has it.
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- Juan Martín Empecinado by Benito Pérez - AbeBooks.
I don't know if he will give it up one day. I am collector. I'd like to have it.
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Those men were icons in my life. He did a movie over here of my life. They showed it in Germany last month and they wanted me to come up and do a concert, but I could not do it because I had other concerts. That's the name of it, and they're trying to get it on DVD. It was a glorious night too. That was one big night at the Zanzibar in That was when Leonard Chess and I were working on the record. I was so overjoyed I didn't know what to do and I was asking Little Walter what kind of bottlenecks do you use… imagine that on the dressing room night table.
Jesse was the one that sent for me. I was living in Pittsburgh, Pennsylvania and he sent me the money for me to catch a train and I came to Chicago and he was there to meet me at Central Station, downtown, Michigan Avenue, and took me to the office. I'll never forget that number, S. It's no more now. New buildings there now. I said. He took me to his house, and he fed me, well his wife Geneva did. He was driving a yellow and black top car, registered, brand new. He had a hat turned up like a cowboy hat and he was wearing glasses. I remember everything.
I will never forget that day, never. We went to the Zanzibar and the place was jam packed. Everybody came that night. It was great night. Then he called me up onto the stage to do a duo number with him and that's when it kinda started. That's when I started learning blues. I had one of them. And Jimmy Rogers was up there playing and backing Muddy with second guitar. I just cannot forget that night at all.source url
Juan Martín, El Empecinado by Benito Pérez Galdós (2 star ratings)
I mean, when I left we went to the studio and that's when they recorded me. I was there and it was Little Walter playing on second guitar and I was just sitting there looking and watching them. So I played my guitar and I had a Silver Tone, brand new with a big body and they're hard to find. They recorded me on Checker Records. He didn't put me on Chess, he put me on the little label, Checker. I just carried on playing and I sang. We spent the whole day in the studio. It was the studios owned by Chess, so we got a free day there.
Also when I was on Atco Records, a division of Atlantic Records and they kept a lot back in the studio. I knew him since he was a little boy back then and he knew me and had seen me for many years, from back in , or something like that.