Evil Eight, Eight Tales of Horror

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You may not think at first that anyone in Little House on the Prairie was evil, but we can assure you that Nellie Oleson Dalton was a very bad seed. This wealthy blonde bully lords her position as a member of the nouveau riche over her peers, even though her parents really only own a store in town, which is not that big of a deal. This disturbing novel about an eight-year-old budding serial killer was nominated for the National Book Award, but some guy named William Faulkner won instead.

Ah well.

Rhoda, the little girl in question, lacks remorse for her deeds, though, like many sociopaths, she is able to successful charm adults while instilling fear in children. Ben was a difficult, unplanned pregnancy, and is born covered in hair. His murderous impulses threaten children and small animals around him, and eventually his family decides to place him in an institution.

After some time, he is brought back home, but is unable to adapt to life within this previously happy family. Niles from The Other by Thomas Tryon. This novel is set in the s and involves identical twin brothers, Niles and Holland Perry, who grow up on the family farm and involve themselves in various acts of mischief until a fateful day when their secret ring is discovered. Niles shows that he is capable of terrible acts of violence as he plays the role of an impostor. Your email address will not be published.

This site uses Akismet to reduce spam. Learn how your comment data is processed. This continues a trend of Hollywood snatching up graphic novels as if they were tacky TV shows from the 70s. At titles, the list is more of a catalog of the noteworthy than a distinction.

Sticking with the fiction exclusively, it appears that we touched upon a few of these books as well:. I follow a lot of avid even rabid readers, and one of them had, apparently, stepped out of their comfort zone to give this book a try. She called it a rip-off and accused Grossman of stealing from her beloved J. Her response was so strong, so passionate, that my curiosity was piqued. I looked up Grossman to see what he had done before.

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It turns out that he knows something about good writing. Grossman is the lead book critic for Time and has made a career out of both praising the efforts of writers who take risks and calling out those who he felt were overrated. He knew that he was entering dangerous territory when he set about writing a book that bears even a passing resemblance to anything as recognizable as the Harry Potter franchise.

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The anticipation for his follow-up, The Magician King , has been building all summer, with some readers looking to it to fill the void left by the final Harry Potter film. It is well-suited to the task. Like The Magicians before it, the book is a collection of carefully chosen allusions to the books that have influenced Grossman as a writer. While these allusions were off-putting to some readers, they are a large part of the appeal for the readers who grew up reading the same books he did. I have to admit; each new reference that I stumbled across made me smile a little wider and drew me in a little further.

After seeing the wide-range of responses that the book has received, I found myself hoping that responses like the ones that first caught my attention were in the minority. Grossman has assured me they were. Lev Grossman: There have been fewer than you would think. There was a lot of focus on it before the book came out, which was worrying.

But following publication almost all the readers and critics I heard from have read the similarities correctly, as allusions rather than theft. TM: Has anyone ever questioned you about similarities that they saw between what you wrote and another book? What did they point to, and how did you respond? Early on I toured the Harry Potter conventions, talking about what I was doing and the spirit in which it was intended, to try to get the word out.

I think that helped. They get angry. Allusions can be very polarizing. TM: As you wrote the novel, were you aware of your inspirations?

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How did you keep them from overtaking your story? How did you keep from crossing the line? Does it make a difference? And they date rapidly. TM: If you had to explain the difference between alluding to another work and copying that work to a classroom full of students, how would you go about it? What sort of examples would you use?

Would you refer to your own writing? It can be confusing for a writer. Initially when I would make allusions to C. Anything less and readers will see your allusions as merely plagiarism. TM: What is your favorite literary reference in the novel? Do people pick up on it? One of my favorite sequences in the book has Quentin and his friends turning into geese and flying south to Antarctica.

I thought it stuck out by a mile when I wrote it, but surprisingly few people catch it.

Cellists sometimes write to me about the Popper exercises that the characters at Brakebills have to do. What should readers be watching for as they read? But the most consistent presence is still C. It paints a pretty interesting picture of the world that Grossman lives in and the one he has created. The Magician King is full of the same pop-culture references and allusions to the works of Rowling, C. Lewis, and George R. Martin as The Magicians. What The Magician King has that was a bit lacking in the first is a rich undercurrent of mythology and folklore.

They are the ones who harnessed the magic that gave rise to Fillory , and, it would seem, they are none too happy that it has fallen into mortal hands. Their skin is like wood. And they have staves. They appear extensively throughout literature, typically as shy creatures who keep to themselves. It is C.

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Last year, the Indianapolis Star published a lengthy report on a family terrorized by three children allegedly possessed by demons. The account of Latoya Ammons and her family tells disturbing stories of children climbing up the walls, getting thrown across rooms, and children threatening doctors in deep unnatural voices. It would seem like something straight out of a movie—a work of fantasy, except all of these accounts were more or less corroborated with "nearly pages of official records obtained by the Indianapolis Star and recounted in more than a dozen interviews with police, DCS personnel, psychologists, family members and a Catholic priest.

One of the more chilling sections of the report includes a segment about the possessed 9-year-old:.

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  • According to Washington's original DCS report—an account corroborated by Walker, the nurse—the 9-year-old had a "weird grin" and walked backward up a wall to the ceiling. He then flipped over Campbell, landing on his feet. He never let go of his grandmother's hand. The year-old would later tell mental health professionals that she sometimes felt as if she were being choked and held down so she couldn't speak or move.

    She said she heard a voice say she'd never see her family again and wouldn't live another 20 minutes. In September of , a Utah teen returned to his home to find his parents and three siblings dead. The list looked as if the parents were readying to go on vacation—items such as 'feed the pets' and 'find someone to watch after the house' were written," The Salt Lake Tribune reported.

    It appeared to be murder-suicide, but there was no suicide note, no prior indication that they would do this, no explanation. Police could not figure out why two parents would kill themselves and three of their four children.

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    For a year, no one knew exactly what happened to the family, or what would drive the parents to do something so unthinkable. In January, police released more chilling details in the case. According to accounts from family members and an investigation by police, the parents were driven by a belief that the apocalypse was coming and an obsession with a convicted killer.

    As the Washington Post reported :. Friends and family told police that the parents were worried about the "evil in the world" and wanted to escape a "pending apocalypse. According to trial testimony, he killed the victims at the order of his brother, Ron Lafferty, who claimed to have had a revelation from God.

    The story became a book called "Under the Banner of Heaven. Police said Kristi Strack became friends with Dan Lafferty, and she and her husband even visited him in prison. In , ABC news documented a series of cell phone calls to families with terrifyingly specific death threats.